The Taj Mahal is India`s premier tourist icon and, arguably, the most recognizable mausoleum in the world. Over 7 million people visit it every year – more than any other museum or palace on the planet. But behind the dry statistics (22 years of construction, 20,000 workers, 28 types of semi-precious stones) lies the tragic story of Emperor Shah Jahan, who immortalized his wife`s name at the cost of his own freedom.
Located in the heart of Agra, on the banks of the Yamuna River, the Taj Mahal has been a UNESCO World Heritage Site since 1983 and is recognized as one of the "New Seven Wonders of the World." In this section – everything you need to know before your visit: from the best time for photos to the secret of the optical illusion in the central hall.
In 1607, at a bazaar in Agra, the fifteen-year-old prince Khurram (the future Shah Jahan) saw a girl named Arjumand Banu Begum for the first time. It was love at first sight. Five years later they married, and Emperor Jahangir gave his daughter-in-law the name Mumtaz Mahal ("Chosen One of the Palace").
She became not just one of his wives, but his faithful companion, advisor, and closest person. Together they endured wars, rebellions, and hardships. Mumtaz accompanied her husband on all his campaigns. In 1631, while giving birth to their 14th child in a military camp in Burhanpur, she died from complications. Before her death, she extracted four promises from her husband: to build the greatest mausoleum the world had ever seen; not to remarry; to be kind to their children; and to visit her grave every year.
Shah Jahan was driven mad by grief. They say that after her death he wore white clothes for two years, his hair turned grey, and he abandoned the affairs of state. Then he set about fulfilling the first promise.
The construction of the Taj Mahal lasted 22 years (1632–1654). 20,000 workers from across the empire and beyond labored on the site. The architect is considered to be the chief court architect, Ustad Ahmad Lahori.
Material and Color
The main secret of its beauty is the white marble from Makrana (Rajasthan), which has the astonishing ability to change color throughout the day:
• At dawn – it is pink, like a lotus petal.
• At noon – dazzling white with bluish shadows.
• At sunset – golden-orange.
• On a moonlit night – silvery-lunar, almost fantastic.
The marble is inlaid with 28 types of semi-precious stones brought from different corners of the world: jade from China, turquoise from Tibet, lapis lazuli from Afghanistan, carnelian from Baghdad, malachite from Russia.
The Taj is not just a building, but an entire architectural complex conceived as an earthly reflection of paradise from the Quran.
The Great Gate (Darwaza-i-Rauza): A high portal of red sandstone symbolizes the transition from the mundane world to the sacred space. The inscription on the gate reads: "O soul, you are at rest. Return to the Lord at peace with Him, and He at peace with you." This is the only place in the complex from which the mausoleum is revealed in its full glory – a technique known as the "principle of reverse perspective."
The Chahar Bagh Garden (Four Gardens): The area in front of the mausoleum is divided by canals into four parts – a symbol of the four rivers of paradise (water, milk, honey, and wine). In the center is a marble pool that creates a perfect mirror reflection of the Taj.
The Main Mausoleum: The building stands on a square podium. At the corners are four minarets, each 41.5 meters high. They lean slightly outward – the engineering genius of the architects: in the event of an earthquake, the minarets would fall outward, not damaging the main dome.
The Dome ("Onion" or "Pearl"): The height of the central dome is 35 meters. It is surrounded by four smaller domes (chattris). The shape emphasizes an upward aspiration towards the sky. The dome is crowned by a gilded spire that combines the Islamic crescent moon and the Hindu sacred spear (amrut kalash).
Inside the mausoleum is an octagonal chamber under a double dome (creating perfect acoustics – the voice sounds like angelic singing). In the center is an openwork marble screen (jali), behind which are two tombs:
• In the center – the cenotaph of Mumtaz Mahal, decorated with the finest inlay work featuring the 99 names of Allah (an ornament repeated nowhere else in the world).
• To the left – the cenotaph of Shah Jahan (added later, when he was buried beside her).
• The real graves are in the crypt underground, reached by a staircase, but visitors are rarely allowed down there.
The Black Taj Mahal
There is a legend that Shah Jahan planned to build an exact copy of the Taj Mahal on the opposite bank of the Yamuna, but made of black marble, for himself. The two mausoleums were to be connected by a silver bridge. However, his son Aurangzeb overthrew his father and imprisoned him in Agra Fort, halting the construction of the "Black Taj." Archaeologists have found no convincing evidence for this legend, but the dark stains on the white marble (from air pollution) are sometimes called the "shadows of the black brother."
The Hands of the Masters
According to legend, after the construction was completed, Shah Jahan ordered the hands of the chief architect and all the masters to be cut off so that they could never build anything like it again. There is no historical evidence for this – moreover, it is known that the architect Ustad Ahmad later built other buildings.
Love in Reverse
Ironically, Shah Jahan himself, whose symbol became the Taj, is buried not in a separate mausoleum, but next to his wife – so that his cenotaph alone disrupts the perfect symmetry of the mausoleum. The creators did not dare to rebuild the masterpiece for the sake of one man. Thus, the monument of eternal love also became a monument to its tragic loss.
• Opening Hours: From dawn to sunset, daily except Friday (on Friday the mausoleum is closed for prayers in the mosque within the complex).
• Night Viewing Sessions: On the night of the full moon + 2 days before and after (5 nights total). Tickets are sold 24 hours in advance at the Archaeological Office of Agra.
• Best Time to Visit: 6:00 – 7:30 AM (no haze, changing sunlight, few people) or 4:30 – 5:30 PM (sunset). Do not go at noon – heat and crowds.
• Dress Code: Modest clothing (shoulders and knees covered). You must remove your shoes before entering the mausoleum (shoe covers are provided).
• Prohibited Items: Food, chewing gum, cigarettes, tripods, selfie sticks, drones, large bags. Phones and cameras are fine, but no tripods.
• Arrive at opening time. At 6 AM you will be among the first 50 people, you will hear the muezzin`s call to prayer, and you will see the sun tint the marble peach-colored. By 9 AM, there are already queues and noise.
• Take a guide. Without history, it`s just a beautiful building. A good guide will show you the optical illusions in the arches, tell you about each stone, and explain the hidden symbolism.
• Use the foreigner entrance (it is faster, though more expensive).
• The best view is not only from inside, but also from the opposite bank of the Yamuna at Mehtab Bagh (the Moonlight Garden) at sunset. The ticket there costs pennies, but the view is picture-perfect.
• Photograph wisely. The classic shot from the bench in the center of the long alley is a must-have. But also go to the pavilion to the left of the main gate – there are almost no people there, and excellent angles.
Don`t believe those who say the Taj Mahal is "overrated." It cannot be overrated. The only problem with this place is that it is too famous. We have seen it on screensavers, postcards, and in movies a thousand times. And when we finally meet the original, our first thought is: "Is it real?" Yes, it is real. As real as the feelings that compelled the emperor to build this monument. And if you ever doubt whether to travel halfway around the world for a single building – don`t doubt. The Taj is worth the trip.