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On the west bank of the Nile in Luxor, within the Theban necropolis, stands one of the most majestic monuments of the New Kingdom—the mortuary temple of Ramesses III, known as Medinet Habu. Unlike more famous sanctuary temples like Karnak, Medinet Habu is simultaneously the principal mortuary complex of the great pharaoh and a powerful fortress, designed to immortalize his victories and protect his eternal rest.

History of Construction: A Monument to Egypt`s Salvation

The temple was built by Ramesses III (c. 1186–1155 BC), the last great pharaoh of the New Kingdom. His reign coincided with the era of great upheavals known as the "Invasion of the Sea Peoples"—a large-scale invasion by a coalition of foreign tribes that threatened the very existence of Egypt.

Reason for Construction: Medinet Habu was erected as a gigantic monument to the pharaoh`s triumph over these forces of chaos. The temple served not only for the performance of the mortuary cult but also as a visual manifesto: "Egypt is saved, order (Ma`at) is restored, and the name of Ramesses III will live forever."

Prototype: The temple deliberately copied the plan and scale of the neighboring Ramesseum—the mortuary temple of his great predecessor, Ramesses II. This was a challenge: the new pharaoh sought to present himself as equal to the legendary ruler.

Architecture: A Temple-Fortress

Medinet Habu is the largest mortuary temple in Thebes by area. Its architecture uniquely combines sacred and defensive functions.

Dimensions and Structure: The complex occupies a vast territory enclosed by a massive brick wall with crenelated fortifications—resembling a fortress more than a temple. The main entrance imitates the military architecture of Syria-Palestine and is called the "Migdal" (Syrian fortress tower).

• The First Courtyard: Here are the remains of the royal palace, where the pharaoh stayed during ceremonies in his lifetime, and the "appearance windows," from which he would show himself to his subjects. 
• Hypostyle Hall and Sanctuary: Beyond the first courtyard follow traditional temple elements: two hypostyle halls with columns and inner sanctuaries dedicated to the gods. 
• Sacred Lake and Nilometer: The grounds feature a well-preserved small sacred lake for ritual ablutions and a nilometer for measuring the flood level.

Bas-Reliefs: A Stone Chronicle of Triumphs and Daily Life

The walls of Medinet Habu are covered with grand, exquisitely preserved reliefs, which are the temple`s greatest treasure. They fall into two key categories: 
• Exterior Walls (Chronicle of Wars): This is a unique "stone newspaper" of the military campaigns of Ramesses III. 
• Battle with the "Sea Peoples": The most famous reliefs detail the great naval and land battle. The distinctive ships of the "Sea Peoples," Egyptian archers, the chaos of combat, and captured prisoners are visible. This is a crucial historical source about this pivotal event. 
• Libyan and Nubian Campaigns: Other walls are covered with scenes of victories over the Libyans and Nubians.

Interior Walls (Religious and Scenes of Daily Life):

Preservation of Color: In the interior chambers, especially in the second hypostyle hall, stunning polychrome paint has been preserved. The vivid blues, yellows, reds, and greens look so fresh it seems they were applied recently. This allows one to appreciate how colorful Ancient Egyptian cult buildings were.

"Calendar Reliefs": The inner walls depict not only rituals but also peaceful life. There are famous scenes of the pharaoh hunting wild bulls in the papyrus marshes—a symbol of victory over chaos in peacetime. Other reliefs detail temple festivals, processions, and offerings.

Heb-Sed: Depictions of the Heb-Sed festival (the ritual renewal of the pharaoh`s powers) demonstrate Ramesses III`s desire to rule forever.

Dedication: A Triad of Gods and a Deified Pharaoh

The temple was dedicated not to one but to an entire triad of gods: 
• Amun-Ra (the supreme god of Thebes) 
• Mut (his consort) 
• Khonsu (their son)

However, the central figure in the reliefs and inscriptions was Ramesses III himself, presented as a deity worthy of worship alongside them.

Mysteries and Legends of Medinet Habu

"The Harem Conspiracy": It was at Medinet Habu, according to the Turin Judicial Papyrus, that the famous conspiracy to assassinate Ramesses III—organized by one of his minor wives, Tiye, and court officials—was uncovered. Scenes of the trial and execution of the conspirators may have been recorded in the temple, adding to its somber aura.

Traces of Catastrophe: On some walls, traces of a severe fire are visible, which scholars believe may be linked to popular unrest or an attack at the end of Ramesses III`s reign, symbolizing the beginning of the New Kingdom`s decline.

Later History: In the early Christian era, a Coptic church existed within the temple grounds, and its fortress walls were used as a refuge by local inhabitants in troubled times.

Medinet Habu impresses not so much with elegant beauty but with colossal power, epic scale, and incredible preservation of detail. A walk through its courtyards is a journey into the most dramatic period of Egyptian history through the lens of the art and propaganda of the great pharaoh who saved the country from collapse.

Photo Gallery
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The first and the largest pylon of Ramesses III temple at Medinet-Habu
Rooms on the sides of a large hypostyle hall at Medinet-Habu
Bas-reliefs depicting praying baboons in the temple of Medinet Abu in Luxor
Main scene on the first pylon of Medinet Aby temple - Pharaoh Ramses III hold the defeated enemies by the hair
First pylon with the bas-relief of a pharaoh
Road to Medinet Habu from the (now buried) canal of the Nile. Pharaoh could get to the temple in a boat.
Statues of Ramesses III and one of his wives
Detailed description of the victories of Ramesses III over the "peoples of the sea" on the second pylon.
Inscriptions and figures of the pharaoh and the gods who helped him to get the victory, on the second pylon of Medinet-Aby temple
Here you can read how Ramesses III defeated the "peoples of the sea." These were people from the islands of today Greece, Small Asia and Syria.
Egyptian cartouches on the walls of the temple
There even remained paint on the bas-reliefs in some rooms near the hypostyle hall
Bas-reliefs of Medinet-Abu telling about the life of pharaoh
Sculpture of the lion deity Sekhmet, the wife of Ptah, the creator of the world
Colonnade of the entrance hall of Medinet-Aby temple where paint remained on bas-reliefs
Colonnade of the entrance hall. There depicted the scenes of the pharaoh bringing gifts to the deities on the wall.
Sculpture of the pharaoh in the pose of Osiri in the first courtyard of the Medinet-Habu temple
Additional buildings around the Medinet-Habu temple
Column bases in the hypostyle hall
Main passage to the hypostyle hall of the Medinet-Habu temple
Site of the former hypostyle hall. Now there remained only the column bases here.
Rooms surrounding the Great Hypostyle Hall
Inner court between the first and second pylons
Porch of the hypostyle hall where one can see a passage through both pylons
Bas-reliefs on the porch of the hypostyle hall
Big king`s gate the pharaoh approached in a boat by a canal of the Nile. There depicted the victories of the pharaoh and him giving gifts to the deities on it.
Picture of the Pharaoh attacking the enemies in his chariot on the second pylon
Bas-relief of the boat carrying the pharaoh to the other world with the goddess Nekhbet depicted as the black vulture hovering over it in one of the rooms surrounding the hypostyle hall.
Colonnade in the entrance hall of the first courtyard
Chronicle of the pharaoh`s victories on the wall of the second pylon