Basilica di Santa Maria della Salute (Basilica of St Mary of Health) is the pinnacle of Venetian Baroque and one of the city`s most recognisable silhouettes. It stands on a narrow peninsula at the entrance to the Grand Canal, across the water from St Mark`s Square. For the visitor, the church`s main value lies in the fact that it is a votive temple: the entire building exists thanks to the gratitude and fear of the Venetians who survived the plague that claimed tens of thousands of lives.
In 1630 a severe outbreak of plague swept through Venice, carrying off about a third of the population in little more than a year. On 22 October 1630 the Venetian Senate solemnly vowed that if the city were delivered from the plague, a church dedicated to the Virgin Mary would be built. The young architect Baldassare Longhena won the design competition; construction began in 1631 and was completed only in 1687 — five years after Longhena`s death.
Two details explain the essence of this building better than any epithet: the huge spiral volutes surrounding the dome are not merely decoration but load-bearing elements that transfer the weight of the dome to the octagonal base; and the building itself, according to tradition, stands on several thousand wooden piles driven into the muddy floor of the lagoon.
The interior is octagonal, with six side chapels surrounding the central space. Most visitors walk straight through, but a few things deserve a pause.
The high altar and the Byzantine icon. At the centre of the sumptuous altar is a Greek-Byzantine icon of the Virgin (the Mesopanditissa), brought from Crete and arriving in Venice in 1670. Above the icon is a sculptural group by Giusto Le Court: the Virgin and Child gaze down at a kneeling Venice, while the plague is depicted as an old woman fleeing in haste.
The Great Sacristy (Sagrestia Grande) is a genuine hidden treasure. Here is preserved an early work by Titian, painted for the church of Santo Spirito: St Mark Enthroned with Saints Cosmas, Damian, Roch and Sebastian.
On the ceiling are three paintings by Titian: Cain Killing Abel, The Sacrifice of Isaac and David and Goliath — the figures are shown in steep foreshortening from below, which makes a powerful impression. On the opposite wall is Tintoretto`s Wedding at Cana (1561).
Recommended order of viewing: first the ceiling, then the altarpiece, and finally Tintoretto — within five minutes you will feel the transition between two generations of Venetian masters.
Note: the Great Sacristy is open only at certain hours and is closed on Mondays, and the route includes steps — there is no lift.
The church offers a climb to the dome: 120 steps, no lift. You reach a gallery at the level of the dome`s drum, not the top of a bell tower. The view is not the highest, but the position is exceptional: you see Punta della Dogana from above, water on three sides, the St Mark`s basin, the island of San Giorgio Maggiore and the entrance to the Grand Canal. If you simply want a panoramic view and convenience, the campanile of San Giorgio Maggiore, with its lift, looks straight at St Mark`s; but if you want to see Venice from an "unusual height", this climb is worth it.
Best time: right after opening in the morning — fewest people, and the eastern light comes inside; in the evening it is good for photographing from outside, as the western sun tints the marble in warm tones.
Avoid the middle of the day: for most of the year the church closes at midday and reopens in the afternoon. Arriving around 13:30 is the most common way to find the door closed.
21 November is the feast the Venetians value most. This is the Festa della Madonna della Salute. A pontoon bridge is laid across the Grand Canal from Santa Maria del Giglio on the St Mark`s side straight to the church, and thousands of Venetians walk across it to light a candle. Nearby they sell roast chestnuts and smoked mutton soup (castradina). As an experience of city life this day should not be missed; but as a day for looking at art, it is the worst day of the year.
Entry to the church is free, and about 0.5–1.5 hours is recommended. Clothing should cover shoulders and knees. If you are planning a half-day walk through the Dorsoduro district, the church can be combined with the Peggy Guggenheim Collection — just a six-minute walk away.
Santa Maria della Salute is not a church to "see on the way". It is a vow of gratitude, the swan song of the Baroque that Longhena worked on all his life. Standing on its steps with your back to the sea and your face to the beginning of the Grand Canal, you will see one of the most photogenic views in Venice.